ΕΑΝ ΠΡΟΤΙΜΑΤΕ ΕΛΛΗΝΙΚΑ ΠΑΤΗΣΤΕ ΤΗ ΣΗΜΑΙΑ ΣΤΟ ΚΑΤΩ ΜΕΡΟΣ ΤΗΣ ΟΘΟΝΗΣ

OUR MAIN PHOTO: The inauguration of the Hellenic Cultural Center. From the left, you can see Mr. Kallimanopoulos (the shipowner), AB Iakovos, Bishop of Dafnousias Philippos, Nick Andriotis, the Consul General of Greece, and the Principal of St. Demetrios School. 

By Stamatis Ghikas (Former Director of the Hellenic Cultural Center)

The Hellenic Cultural Center of the Greek Orthodox Archdiocese of America emerged during a period of profound change within the Greek-American community. During the years surrounding the military dictatorship in Greece (1967–1974) and the decades that followed, a significant wave of Greek immigrants arrived in the United States. Many of these newcomers settled in Astoria and the surrounding neighborhoods of Queens, creating what became the largest concentration of Greeks outside Greece.

At the same time, segments of the newly arrived population sought cultural and intellectual outlets that were not always connected to the institutional life of the Church. Recognizing both the opportunities and the challenges presented by this rapidly expanding community, Archbishop Iakovos envisioned a cultural institution that would embrace all Greek Americans while remaining rooted in the spiritual and educational mission of the Archdiocese.

AB Iakovos proclaimed around the time of its inauguration: “I do not want this to become a shop!! This is for Hellenic Culture only”…

Working closely with community leaders, especially Nikos Andriotis, Archbishop Iakovos promoted the creation of a center that would preserve Greek language, culture, history, and identity while serving as a gathering place for organizations and individuals throughout the New York metropolitan area.

Through the generosity of prominent benefactors, including George Koumantaros and the Kalimanopoulos family (each donated $250,000), funds were secured to purchase and renovate a building in Astoria. According to official institutional records, the Center was established in 1985 and formally inaugurated on January 30, 1986, at the corner of Crescent Street and Newtown Avenue. The inauguration took place on the Feast of the Three Hierarchs and was attended by a large gathering of clergy, community leaders, and members of the public. At the opening ceremonies, Archbishop Iakovos declared that the Center would operate as a public service institution, where cultural and educational activities would be offered freely and without commercial considerations.

The First Administration: Dr. Andreas Zachariou

The first Director of the Hellenic Cultural Center was Dr. Andreas Zachariou, who had previously served as Assistant Director of Education for the Archdiocese. Soon after his appointment, he recruited Stamatis Ghikas as his assistant for cultural programming.

The Archbishop also appointed an advisory board to support the Center’s work. Although the board’s involvement sometimes created administrative difficulties, Dr. Zachariou successfully brought together a broad coalition of organizations and volunteers dedicated to building a vibrant cultural institution.

Among the groups that found a home at the Center were:

  • The Federation of Greek Literary Societies
  • The Greek Orthodox Lawyers Association
  • Cypriot cultural organizations
  • The Association of Greek Teachers
  • The Association of Greek-American Educators
  • Numerous local cultural and community organizations

The Center quickly became more than a building; it became a meeting place where diverse segments of the Greek-American community felt welcomed and represented.

A Cultural Hub for Astoria

The facilities reflected the broad vision of its founders. In addition to administrative offices, the complex housed:

  • The Chapel of Saint Kosmas the Aetolian
  • Offices for youth programs of the Archdiocese
  • Telecommunications and administrative services
  • Offices for the bishop responsible for Queens and Long Island
  • Exhibition and reception spaces
  • Meeting rooms and educational facilities
  • Theater and performance venues

For approximately two years following its opening, the Center experienced a period of remarkable creativity and cooperation. Nearly every weekend featured cultural programming, including:

  • Art exhibitions
  • Historical lectures
  • Literary presentations
  • Religious and patriotic commemorations
  • Community meetings
  • Educational conferences
  • Gatherings of teachers, students, lawyers, physicians, and civic organizations

These activities fulfilled the original mission envisioned by Archbishop Iakovos: to create a place where Hellenism, Orthodoxy, education, and community life would intersect.

Financial Challenges and Administrative Changes

Despite the success of its programming, financial sustainability soon became a central concern. While Archdiocesan leaders praised the quality of the Center’s activities, some administrators worried that the institution was not generating sufficient revenue.

In response, Dr. Zachariou attempted to create a financial support structure known as the Order of Saint Kosmas the Aetolian. The initiative met resistance from influential church figures, including Archimandrite Anthimos Panagiotopoulos of Saint Demetrios Church in Astoria, who would later become Metropolitan Alexios of Atlanta.

Ultimately, Dr. Zachariou left the Center and assumed leadership within the educational system of Saint Demetrios School.

The Directorship of James Yeannakopulos

The second Director was Dimitrios Giannakopoulos, a respected man of letters and the arts. He continued many of the cultural policies established by his predecessor and sought to preserve the Center’s intellectual and artistic character.

However, the same financial pressures that had affected Dr. Zachariou’s administration continued during Yeannakopulos’ tenure. Despite his efforts and commitment to the Center’s mission, he too eventually departed.

Episcopal Administration

Following Giannakopoulos’ departure, Metropolitan Alexios became more directly involved in the administration of the institution. Public records later documented his service as Director of the Hellenic Cultural Center during his years in Astoria.

Subsequent leadership – after I departed –  included Bishop Vikentios, whose tenure coincided with efforts to stabilize the institution financially while maintaining its cultural mission. During these years, the Center continued to function as one of the principal cultural institutions of the Archdiocese.

The Ghikas Years

When Archbishop Spyridon became Archbishop of America, he asked me to assume leadership of the Center. I was initially reluctant, as I was then employed by the Hellenic-American Chamber of Commerce and believed my professional prospects were stronger there.

After persistent requests from the Archbishop, a compromise was reached, allowing me to divide his time between the two institutions. One condition of his appointment was that he organize a major monthly program to attract the Archbishop’s participation.

Attendance flourished during this period, and the Center regularly attracted large audiences for cultural and educational events. Yet, as had happened with my predecessors, administrative and financial tensions eventually led to his departure.

PHOTO: The stage of the 200-seat “Thespis” theater

Continuing Evolution

Over the decades, the Hellenic Cultural Center remained one of the most important Greek-American cultural institutions in New York. Official records document successive directors, including Metropolitan Alexios, Archimandrite Apostolos, and, beginning in 2021, Fr. Gregory Stamkopoulos.

The Center expanded its programming to include theater productions, book clubs, lectures, concerts, dance instruction, youth activities, exhibitions, and collaborations with educational institutions. Facilities evolved to include the Thespis Theater, Newtown Stage, Aegean Hall, classrooms, rehearsal spaces, and a small library.

Even as Astoria changed demographically and the Greek population became more dispersed throughout the metropolitan area, the Center continued to serve as a living symbol of Greek cultural continuity in America.

Legacy

The history of the Hellenic Cultural Center is ultimately a story of vision, dedication, and perseverance. Founded by Archbishop Iakovos and supported by committed community leaders and benefactors, it sought to create a permanent home for Hellenism in New York.

I can attest not only to the Center’s public achievements but also to the internal struggles, sacrifices, and personal commitments that sustained it. Its historic route reminds us that the Center was built not merely through financial contributions or administrative decisions, but through the efforts of countless volunteers, educators, artists, clergy, and community leaders who believed that Greek culture, language, faith, and heritage deserved a permanent institutional home in America.

Today, nearly four decades after its inauguration, the Hellenic Cultural Center must remain a testament to its original vision, continue to play a significant role in the cultural life of Greek America, and avoid diverging from that role.

3 COMMENTS

  1. Word on the street is that Elpidoktonos is selling our GOAA cultural center. It’s on his list together with St. Demetrios and St. Katherine’s schools, as well as other prominent parish facilities and institution. He started with Hellenic College and will continue to St. Basel’s. And then, he’ll sell his own … for a $. Money talks, orthodoxy walks and the old black Bart n turkey will be enjoying what ever life he has left with his “ spiritual son” or “children” here and abroad. Let’s hope for their removal from everything and everywhere.

  2. Let’s not only hope, let us join our forces and have all of the deposed. Removed and sent to hell. Let us gather together in the name of our Lord and have the heretics and immortals, Elpidoktonos, Nektarios, Apostolos, Athenagoras, and all the imports and destroyers of the Faith, let us have them exported and sent to where ever. It doesn’t matter. Anywhere is better than here.

  3. Thank you for offering the history of the center. Truly a place which forged unity, advanced knowledge, and prompted Hellenic culture. My in-laws lived in Astoria. I loved Astoria back when. Throw the trash out of that center asap. Whomever contracted such theatre groups need to be thrown out, too.

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